Lt. Kyle White of the Seattle Fire Department tells us that Fire Station 13, in the historic building on the corner of Beacon Ave. S. and S. Spokane St., took delivery of two new vehicles this month. They received a 2015 Pierce fire engine that went into service on June 11. It replaces a 2003 American LaFrance that has been relegated to reserve status and will be housed at a fire station in Wedgwood. Earlier in the month, the station also took possession of a 2015 Chevy Suburban that will operate as a battalion chief’s vehicle.
The Beacon Hill Branch of The Seattle Public Library is turning 10 years old and the neighborhood is celebrating this Saturday, July 12! A fun-filled day is planned with refreshments, a panel of speakers, poetry reading and entertainment. Beacon Hill writers, young and old, are invited to share their creativity during an open mic program.
Schedule of events
12:30 p.m. – Neighborhood celebration/social hour
1:30 p.m. – Architecture panel reviews the vision, design, and process of Beacon Hill’s new library building
2:45 p.m. – Ken Mochizuki, author of “Beacon Hill Boys,” reads from his work
3:15 p.m. – Open mic for local writers to share their work
4:30 p.m. – Learn break dancing from members of the Massive Monkees crew
You’ll probably recognize most of the locations in the video for “Just Another Day” by emcees Gabriel Teodros, Mic Flont, and Ka.lil, vocalist Jill Laxamana and producer Uce Wayne. This updated version of Queen Latifah’s song is a tribute to Beacon Hill, featuring neighborhood landmarks including Red Apple, The Station, Jefferson Park and Fou Lee Market. The video was directed by Eric Miller and Mic Flont.
The latest episode of the KCTS9 show PIE, with the theme “wheels,” visits Beacon Hill for two segments featuring local people and landmarks.
The first is an impressionistic “then and now” about the beautifully restored Fire Station 13, with views of Jefferson Park next door. See it here.
The second segment, “Old Guy Skateboarders,” also visits Jefferson Park, and finds that many skateboarders using the skate park aren’t the kids you might expect. Skaters in their 40s and 50s and even older are out there too. Some are returning to skating after taking time off for families and work, while others never stopped skating. See the segment here.
Neighbors will get together for block parties from one end of the Hill to the other tonight for the annual Neighborhood Night Out Against Crime. This year’s theme for the crime-prevention and community-building event is “Celebrating Crime Free Neighborhoods.” There will be potlucks, entertainment, visits from community representatives, police officers, and firefighters, BBQs, and more.
We’ve put together an interactive map of all the Beacon Hill Night Out events we know of. Check out what your neighbors are doing tonight, and join them if you can!
Beacon Hill Blog: Please describe the three new projects you’re showcasing in this year’s Seattle International Film Festival. Two are shorts, one is a feature including your sand animation. Which project was the easiest and which the most difficult?
Tess Martin: The three projects I have in SIFF this year are two animated shorts directed by myself, A Walk in the Woods and They Look Right Through You, and then I have 7 minutes of sand animation in a documentary called Barzan directed by Alex Stonehill and Brad Hutchinson.
They are very different — A Walk In The Woods is a one minute short, the shortest film I’ve ever made! And it is animated with objects–sticks and leaves, etc. They Look Right Through You is a nine-minute short, and I was working on it on and off over 18 months, but was seriously animating for about 4 or 5 months. This one is marker and paint on glass with some time-lapses thrown in.
The sand animation in Barzan took me about 7 months all together. In some ways Barzan was the hardest because we picked some very challenging things to represent in sand, but the results were worth it.
Beacon Hill Blog:They Look Right Through You combines interviews with pet owners and marker-on-glass animation. Had you used this style of animation before? What are its particular challenges? How did you go about obtaining the interviews for the soundtrack? What was Susie Tennant’s contribution?
Tess Martin: I hadn’t used marker-on-glass animation before. I was playing around and discovered that it’s very nice for animation because the marker can be easily wiped away, as opposed to paint, which is often stickier. I’d say the main challenge with marker-on-glass is that is requires a lot of drawing! You’re basically re-drawing the image over and over, and erasing where it was previously, so you have to be on your drawing game so to speak when you’re animating.
In October or November 2011 I put a call out on my neighborhood listserv for people who were willing to be interviewed about their pets. I got a lot of responses and spent a few weeks traipsing to people’s homes and talking to them with an audio recorder. I read about Susie Tennant’s situation in one the Seattle weeklies, because her and her family were raising money for her medical care. The story included one sentence about how her dog alerted her to the fact she had cancer. I asked her if she would be willing to share her story for my little film. She was gracious enough to accept, and her story is so compelling that it became one of the two main stories in the film.
Beacon Hill Blog: How was A Walk In The Woods animated? How long
did you spend in East Haddam, CT, where the film was made, and what did you do there? What were your impressions of the area?
Tess Martin: The film was animated with objects I collected in a big park that makes up a lot of the grounds of the I-Park artist residency. I won a residency there in August/September of 2012, and I was mostly working on They Look Right Through You during that month.But I had hit a wall with that film and had 4 days of the residency, so I decided to do something completely different.
I traipsed around the beautiful park, brought all the material back to my studio and created a story with it. I thought it would be fun to try to make it exactly one minute. So that’s how that happened — it’s the shortest production time of all my films! I then worked with my composer, Spencer Thun, to get a beautiful score for the film that hit all the emotional points in such a short time.
Beacon Hill Blog: Your work on Barzan was integrated into the documentary film. How much contact did you have with the film’s directors, Alex Stonehill and Brad Hutchinson? How did you go about coordinating with them? What are the particular challenges of sand animation, and had you used that technique before? (Does the sand tend to go all over the place?)
Tess Martin: I was approached by the Barzan crew and they showed me the cut of the film they had so far, and where they were envisioning the animated segments going, and what the animated segments needed to contribute to the film. Once I had a clear idea about that I storyboarded the scenes as I felt they should be, and then there was a little back and forth about particulars. I’d say we met about 4 or 5 times, with a lot of email. It was a very happy relationship because to their credit they were on board with most of my ideas even though it must have been hard to picture exactly what I was talking about.
Sand is great fun and challenging of course. You’re working with a very thin layer of sand on a flat surface, and yes, I was finding sand around my desk for a long time afterwards. You just have to be really careful not to bump the table or sneeze near your work.
Beacon Hill Blog: How long have you lived on Beacon Hill? How does it compare/contrast with other places you’ve lived? How does the neighborhood/community influence your work and your attitudes?
Tess Martin: Beacon Hill is the only neighborhood I’ve lived in in Seattle since I moved here five years ago. It’s certainly one of the most residential areas of a major city I’ve lived in, even though I live right on the main road, so for me the experience is probably less quiet than most Beacon Hill residents. But I love living in a quiet friendly place with other friendly people. I’d say the best thing I get out of Beacon Hill is its diversity — it’s nice living in a neighborhood where there are residents of all ages and ethnicities — it feels like the real world.
Beacon Hill Blog: What are your plans for the future?
Tess Martin: I’m working on a few films right now and I may be moving to The Netherlands for a Masters program at the end of the year — it’s still up in the air but could be very exciting.
“Can food be free, fresh and easily accessible? That’s the bold question that the city of Seattle is hoping to answer with a new experimental farm not far from the city’s downtown that will have fruits and vegetables for anyone to harvest this fall.”
The Pacific Northwest Ballet production of Swan Lake starts tonight and runs through April 21 at McCaw Hall. It features 24 students from the Pacific Northwest Ballet School, including three young performers from the Beacon Hill area.
Beacon Hill kids performing in the production include:
Amanda Allen, a fifth-grader from Maple Elementary School, will play the role of Waltz Girl.
Alexis Calonge, a fifth-grader at Dearborn Park, will play a Persian Attendant.
Lucas Galvan, a fourth-grader at Dearborn Park, will play a Page.
Congratulations and best wishes to these talented Beacon Hill dancers!